Sunday, 14 November 2010

Section 1: The Thriller Genre

A thriller is a genre of film, literature or television that creates tension and suspense. It makes the audience jump and gets their hearts racing. Within this genre, there is a sense of mystery that surrounds everything and the story-lines usually play with the audience's minds with twists and different narratives.


The Sub-Genres of Thrillers:

  • Psychological thrillers
  • Crime thrillers 
  • Supernatural thrillers 
  • Action thrillers 
  • Erotic thrillers 
  • Horror thrillers 
  • Political thrillers 
  • Drama thrillers 
  • Disaster thrillers 



The 7 Theories of Thrillers:


The Transformed City - CK Chesterton

  • Usually set in urban environments - eg Cities
  • Transforms the ordinary into the extraordinary. Makes you think that the storyline could happen anywhere.
The Heroic Romance - Northrop Frye
  • The hero in the film is always an ordinary person, it could happen to anyone.
  • An ordinary person who is forced to behave in extraordinary ways because of their circumstances
  • "Moves the world in which ordinary laws of nature are slightly suspended"
  • Enchanted forest = Normal modern city.
The Exotic - John Cawelti
  • Modern city = Enchantment and mystery
  • Introduction of the unfamiliar 
  • Artefacts/objects/props from the Middle East or Orient locations
Mazes and Labyrinths - W H Matthews
  • Comes from Greek mythology
  • Hero in a thriller often finds themselves in a predicament and has to get themselves out of it.
  • Faced with mazes full of twists and dead ends in order to reach villains
  • Could be literally or a metaphor for the narrative 
  • Audience are presented with the Hero's puzzles and problem solving.
Partial Vision - Pascal Bonitzer
  • Audience only see so much as elements are hidden
  • Blind spots are introduced to build suspense and leave unanswered questions for the audience
  • What we don't see is just as important as what we do see
  • "Unlimited prison"
Concealment and Protraction - 
  • Concealment - Deliberately hiding something from the audience
  • Protraction - Deliberately delaying the suspected outcome i.e A bomb explosion, a planned killing.
Question and Answer Model - Noel Caroll
  • Present with questions and wait in suspense for the answer. Will the hero die? Who is the killer?
  • Probability factor - A "sure thing" is less exciting than the battle against the odds.
  • Moral Factor- Morally right outcome increases involvement
  • Maintains audience's focus and interest.



Codes and Conventions of Thrillers:
  • Low key lighting gives a dramatic effect and makes the atmosphere uneasy
  • Quick cuts to add a faster pace to the thriller
  • Changes in camera angles
  • Shadows are used a lot in thrillers to create tension

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