The Sub-Genres of Thrillers:
- Psychological thrillers
- Crime thrillers
- Supernatural thrillers
- Action thrillers
- Erotic thrillers
- Horror thrillers
- Political thrillers
- Drama thrillers
- Disaster thrillers
The 7 Theories of Thrillers:
The Transformed City - CK Chesterton
- Usually set in urban environments - eg Cities
- Transforms the ordinary into the extraordinary. Makes you think that the storyline could happen anywhere.
The Heroic Romance - Northrop Frye
- The hero in the film is always an ordinary person, it could happen to anyone.
- An ordinary person who is forced to behave in extraordinary ways because of their circumstances
- "Moves the world in which ordinary laws of nature are slightly suspended"
- Enchanted forest = Normal modern city.
The Exotic - John Cawelti
- Modern city = Enchantment and mystery
- Introduction of the unfamiliar
- Artefacts/objects/props from the Middle East or Orient locations
Mazes and Labyrinths - W H Matthews
- Comes from Greek mythology
- Hero in a thriller often finds themselves in a predicament and has to get themselves out of it.
- Faced with mazes full of twists and dead ends in order to reach villains
- Could be literally or a metaphor for the narrative
- Audience are presented with the Hero's puzzles and problem solving.
Partial Vision - Pascal Bonitzer
- Audience only see so much as elements are hidden
- Blind spots are introduced to build suspense and leave unanswered questions for the audience
- What we don't see is just as important as what we do see
- "Unlimited prison"
Concealment and Protraction -
- Concealment - Deliberately hiding something from the audience
- Protraction - Deliberately delaying the suspected outcome i.e A bomb explosion, a planned killing.
Question and Answer Model - Noel Caroll
- Present with questions and wait in suspense for the answer. Will the hero die? Who is the killer?
- Probability factor - A "sure thing" is less exciting than the battle against the odds.
- Moral Factor- Morally right outcome increases involvement
- Maintains audience's focus and interest.
Codes and Conventions of Thrillers:
- Low key lighting gives a dramatic effect and makes the atmosphere uneasy
- Quick cuts to add a faster pace to the thriller
- Changes in camera angles
- Shadows are used a lot in thrillers to create tension
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